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Nine year-old Chance Watson is lying, cheating, stealing, and flunking out of school. Then, one night, a wonderful, magical sheepdog appears and promises to make his dreams come true, if he can follow “The Rules.”

A made-for-TV film about a guard dog named Ruslan.

The events begin during the Euromaidan, where the heroes find themselves on different sides of the barricades: one of them is an officer of the internal troops, others are protesters. When the Russian intervention in Ukraine begins, the former opponents turn up in the National Guard. Different and sometimes conflicting young people have to go through the school of a real fighter. Will the military and recruits, who were "enemies" yesterday, be able to become the only team capable of defending their country?

With Jam, the TV follow-up to his Radio 1 series Blue Jam, Chris Morris focuses more on unease more than the satire of Brass Eye. Indeed, it's a moot point whether Jam can actually be categorised as comedy at all. Each sketch is steeped in a heavy brine of dark, ambient music (including Bark Psychosis, David Sylvian and Brian Eno), grainy imagery, fast-cut editing and slo-motion. Its mirthless, Kafka-esque scenarios feel like an attempt to morph into some new species of post-comedy that is more like the stuff of nightmares. The credits, in which Morris stalks the moving camera, uttering Lear-esque words of foreboding immediately announce that this "sketch show" is a galaxy apart from The Two Ronnies. The appalled look on actor Kevin Eldon's face in the opening sketch of the series, as a young couple invite him to endure being buggered by a mutual acquaintance ("I need a break"), sets the tone. Rape, chemotherapy, wanton urination--as a naked "Robert Kilroy-Silk" goes insane in a sketch full of detestation for the oleaginous TV presenter--and recurring sketches involving callously authoritarian NHS doctors, all go to make up these annals of the bizarre and perverse. Ultimately, Jam doesn't quite work, not on TV anyway. The repetition of the same, small cast over and over, broken up too briefly by Morris' own appearances (as a "country gentleman" living outside his house, for instance), coupled with the gruelling treatment of the sketch material makes for a psyche-probing, jaw-dropping experience--but in parts also a nullifying and strangely predictable one. Morris's "failures" are far more interesting than most people's successes. --David Stubbs

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A traffic accident on a rural mountain road becomes a life changing experience for fifteen diverse travelers.

Palace Guard is the story of a reformed jewel thief and cat burglar, Tommy Logan, who, after serving three years in prison, is released on parole and accepts an offer to become the head of security for the posh Palace Hotel chain. There were two reasons for this somewhat unusual job offer. One was that Logan had previously enjoyed great success in stealing from the high-class clientele of the Palace chain, and hence it was thought that he'd understand how to prevent others from doing so. And the other was that Tommy was the illegitimate son of the chain's owner, Arturo Taft, though Taft did not reveal this to Logan. The show centered primarily around the working relationship between Logan and his new boss, Christy Cooper, the hotel chain's Vice-President of Public Relations. In each episode, Logan and Cooper travelled to a hotel in a different city where Logan would help avert some disaster using quirky and questionable methods, leaving Cooper to sweep up the fallout.

The story follows Avi (Ben Sultan), a young man from the Tel Aviv suburb of Bat Yam, who finds himself embroiled in affairs with local Arabs from Jaffa. He joins the Israeli Border Police to settle scores with them, and quickly becomes an effective and respected police officer, while also falling in love with a border policewoman, who is a pacifist. But his past is constantly catching up with him to remind him that he will never change.

Night Guard is a reality crime documentary about Night Guard Security in South Africa. They are a SWAT style reaction unit who take behind the scenes of a crime fighting in South Africa.